Daisy Rodríguez is a lifelong New Yorker. As the Executive Director of Government & Community Affairs for the Wildlife Conservation Society (WCS) she oversees all NYC and State-based government and community engagement. Rodríguez is responsible for helping seek public funding (capital and expense) support for WCS. She engages elected officials, community members, and the public on the importance of conservation of wildlife and wild places.
Prior to her arrival at WCS in August 2017, she was the Director of Government Affairs at the American Museum of Natural History (AMNH), where she was responsible for seeking public support and funding, including helping with the outreach to communities throughout the five boroughs. Previous to joining AMNH, Daisy served as Community Outreach Director for U.S. Senator Charles E. Schumer, and as the Senator’s Constituent Liaison helped to resolve numerous constituency concerns and expanded the Senator’s profile. She also served on the Senator’s campaign during his 2004 re-election.
She holds an MA in Urban Affairs from Hunter College of the City University of New York. She attended Manhattan College and received her B.A. with a dual major in Urban Affairs and Political Science, as well as a minor in Latin American and Caribbean studies.
We spoke with Daisy to learn more about her career, what motivates her, and what she hopes for the next generation of museum professionals.
Where did you begin your career?
Technically it began with US Senator Charles E. Schumer, as a very junior staffer working in his NYC office. I was the one answering all the calls that came into the office and dispatching them to colleagues, and doing basic administrative work. This was right after 9/11 and during the Iraq War and it was not easy, but that was my introduction into politics. I think I was answering around 300 calls a day. I learned how to be respectful to everyone and had to navigate a lot of different emotions from people at a young age. From there, I went into casework, worked directly with constituents across the state on a variety of issues, managed his intern program, staffed him as needed, worked on his campaign, and just wore many hats. It was a pivotal learning experience that I’ve learned to appreciate much more now as I’ve grown in my career.
Can you tell us about your journey from Community Outreach Director for Senator Schumer to AMNH to the Wildlife Conservation Society?
I always had an affinity for nature and the arts. It was always at the core of my identity. I would have never imagined working in the field I am now, much less helping to advocate for the arts or helping cultivate generations of STEM leaders. I learned early in my career that I didn’t have the drive to stay solely in that political world—I needed something else. Through the Senator’s office, I learned that “doing government affairs” is done at many organizations in one form or another, and it was a necessary skill. And I started looking at opportunities in museums across the city. It took a while but there was an opportunity at AMNH for a Government Relations Coordinator, so I went for it. It was certainly vastly different and yet familiar from my time at the Senator’s office. At AMNH I was able to develop professionally in my field while reconnecting with a love for science I thought I had lost. I never excelled in math or science in school but I had a secret love for biology and astrophysics. Because of my own frustrations with the subject and overall lack of mentorship at a young age to encourage me to pursue it, I ran away from it. And now, I work to ensure that youth don’t make the same mistake as I did. After AMNH, I found an opportunity to work at WCS. I went from the preservation of dead collections to live ones. But more so, it was an opportunity to run my own shop in both government and community affairs – I couldn’t pass up the opportunity.
These cultural spaces are very much healing places. I’ve always believed that and it felt like a confirmation of that, especially during COVID. I am part of a much larger coalition of people that are advocating for culture and the arts specifically in New York City and helping to ensure that this community received the funding that it needs to thrive is important to me.
What other experiences in your career journey have you found most helpful in your role now?
I credit a lot of my career growth to my personal upbringing and listening to people’s stories.
As a child of immigrants, I grew up quickly and needed to be my family’s advocate, mostly because I spoke English. It may have been a child’s English but nonetheless, I learned how to translate and begin to understand the complexities of real-world issues. I credit that role of being my family’s advocate to becoming involved in advocacy. Also, I always have been interested in the stories of “others” regardless of where they come from. I’ve learned that if you listen to these stories, there are always gems of advice scattered throughout them.
I have found this work to be challenging yet fulfilling because I see myself in visitors to our institutions and I know how it feels to be disenfranchised from the cultural world and disconnected from the scientific fields. In my work, I realized that my own personal story resonates in the narratives of why it is critical for communities of color to be represented in STEM careers. The way I speak, the community I come from, the way I connect to cultural and scientific institutions, and how I have advocated have been different and needed.
What are some of the things that motivate you in your current role?
The fact that I’m filling in a real need that requires a specific skill set. That I believe in the mission of the organization and I have colleagues that believe in this too. I’m also motivated because I get to foster the next generations of not only STEM leaders but also mentor those coming into my field of work. Encouraging them to do this work better than any of us who already are here. I believe strongly in succession planning. I wouldn’t be here if it wasn’t for a community of people. And lastly, I have a great team who do amazing work and we trust each other’s leadership and vision.
What are some of your goals in your role as the Executive Director of Government & Community Affairs? What advice would you give to other museums and cultural institutions about communicating the value of their institutions?
I want to do this line of work differently. I like to take a genuine approach and want those that I lobby to care about the work that we do because it does have a real global and local impact. Cultivating the next generation of STEM leaders is pivotal in these times, and ensuring they also come from communities of color is personal for me because I was that kid that didn’t think she could do science or be in these spaces. I didn’t have the mentors and my parents didn’t have the resources to know even where to go. So I like to do my line of work as genuinely as possible and with real results.
As far as advice on how we communicate our value, I believe people outside of the institutions solidify our value and that line of engagement with the communities we serve and the ones we need to do better to serve are key. The work we do, and the collections we have are invaluable among our institutional communities but it is a different level of appreciation when we can take these collections to communities who become inspired by it and want to preserve and advocate for it.
Would your 18-year-old self imagine that you would be where you are today?
My 18-year-old self would be in awe to know that most mornings I have my coffee watching the lions stretch out and roar before the park opens to the public. She would be wide-eyed to know that one day she will get to learn and see collections that encapsulate the history of the Earth, our universe, be able to experience encounters with animals from across the globe in places she has yet to visit, meet with some of the brightest minds in the scientific communities and talented artists, be able to experience the halls of world-renowned institutions and still have to sometimes translate for her family too.
I did not visit a museum until I was in my teens even though I literally lived blocks away from AMNH. I never went as a kid because my mom didn’t know how to enter the building. She felt like it was such an overwhelming space with no clear direction. It was easier for her to take me to the Central Park Zoo. I’ve seen so many others go through this kind of experience as well, so when I entered this space as a museum professional, it was definitely something that fueled me to want to show people that these places are accessible. I want people to have a sense of belonging that these institutions are theirs because they’re city-owned, they belong to the people of New York and you should take advantage of them.
Can you tell us about where you grew up? What was it like growing up there? Where did you go to school and what did you study?
I was born and raised in NYC. I’m Caribbean and Central American, remixed with the Latino diaspora found throughout the City. My childhood was challenging but I was surrounded by love and empowered to succeed. I was heavily influenced by a variety of cultures, from language, food, music, and the arts. I loved to draw as a child and my father would also doodle on the apartment walls with me. He was a maintenance worker so he would cover up our mess with paint – no harm done. I think because of that influence, even as minor as that was, I was accepted to LaGuardia HS for Music & Art where I majored in art. The Metropolitan Museum of Art was and remains my favorite museum. It was the first one I ever visited because my school made me do a project there. Prior to that, I never went because neither I nor my parents knew how to visit these institutions. It wasn’t always a welcoming experience, there were language barriers, and these experiences fuel me today to do this work. I then attended Manhattan College where I studied political science with a minor in Caribbean and Latin American studies. I thought law school was the next step but after a few months working at a law firm, it wasn’t for me. Instead, I ended up working for Senator Schumer. While working for Senator Schumer I was pursuing a Master’s Degree in Urban Studies at Hunter College.
What was the first museum experience that you can remember?
I always had an affinity for animals. Maybe because I am an only child and was a latchkey kid, all I had were my animals. From a very young age, my mom would take me to the Central Park Zoo. It was a constant destination for us, but costly for my mother. She always made the investment in that excursion because it brought me the most joy. And here I am now working at WCS who also manages the Central Park Zoo and ensuring that we provide access to communities in need.
Can you describe a favorite day or more memorable moment on the job?
There are so many. I feel fortunate to even say that. One occurrence that tends to follow me that are the moments I treasure most, is when I have access to the spaces where I work before it opens to the public and after the public leaves. Whether that was walking the halls at AMNH alone or strolling through the Bronx Zoo or New York Aquarium, having that private experience in those spaces feels peaceful and gives me a deep sense of connection. It’s those personal moments of zen that I treasure.
Do you have any mentors or someone who has deeply influenced you? Has there been any advice that they’ve given you that you’ve held on to?
I’ve had a lot of mentors throughout the chapters in my career. Both good and rotten but all have been life lessons. The most pivotal lessons I carry throughout my career are to 1) Take up space even in places you may feel unwanted - I deserve and am needed to be there and 2) Pay it forward - I had my opportunities because of many of those before me.
What advice would you give to those interested in your career in government and community affairs for a cultural organization?
I’m a big believer in inviting people out for coffee and asking questions that can give you really good advice. I’m also a believer in getting some kind of experience in the field like the work I did with Senator Schumer. I don’t do that kind of work now, but it gave me a sense of the culture of government relations and a sense of the type of people I would work with.
I also believe that succession planning is vital in the non-profit world. It is so critical, especially amongst Communities of Color. We have to prepare the next generation. The time I’ve spent planting seeds everywhere that I’m starting to see all of those seeds blossom. I have former interns who are now elected officials doing amazing work. I want to see more of these successes.